Tag Archive: yaar


Album cover from Google







With apologies to Robert Zimmerman.





Why does the sun dry up so many scattered tears,

Slipping down the coarse cheek of a million hushed fears,


Where no one is scalded though the searing fog clears,

While prayers are mutely spoken even as the end nears.





We shatter and scrape on demented knees,

Blindly begging for mercy as it silently flees,


Searching listlessly for salvation drowned in the breeze,

That spits at the soft rose suffocated by a wheeze.





I know now what I need never have known,

Of hope that was trampled before it had flown,


Into a wasted sky filled with hate that could drown,

The giggling of the crowd and the crying of the clown.





A hope so fragile its wings were of brittle glass,

Ripping the veneer off the sewers of class,


Twisting the fabric of the weighed and costed mass,

Who numbly waited hoping that it too may pass.





For when shards of that hope in all hearts scurries away,

To a darkness where crowded night is emptied off the heaving tray,


’Tis then when sewn eyes behold that doleful day,

When all shall tear at each other while on demented knees we still pray.





For a lifting of the veil of that wilful deceit,

That’s wrapped up in a flag swollen with conceit,



While the limbs splinter in the claw of a winner’s defeat,

Yet still the drums roll for the ill-fated souls chose never to retreat.





From that drenched battleground where blood flows through a sieve,

And love’s lost song plaintively begs for a reprieve,


From eternal loss which into raw emotion does cleave,

Only to slip through the fingers and like grains of sand leave.













Poster from Google
art from google





A Ha-Ha Hee-Hee Scribble: Redux



1.



a soul lies strewn aside,
a rotting mangled heap,
a putrid heart decays inside,
a will too dehydrated to weep,
a festering me, aching to hide,
a mind too splintered to sleep.




a severance from the here, the now,
a life of constantly needing to bow,
a torn wail of pain, wailed somehow,
a frigid heart with nothing to endow,


a stench reeks from each guilty bow,
a stream of hot tears on blinded brow.




what happens when the mind itself claws, scratches, and mercilessly
lashes,


what can you do when the soul itself
shatters, and is slayed by the blade
that slashes,

it’s all a barren pantomime of unending dread,


it’s all a freak-show until everything is dead.



2.



it’s all just the ha-ha-hee-hee of cacophonous gibberish,



It’s all just the ha-ha-hee-hee of festering rubbish …







The Whip” by Banksy
Quote from google
Message of condolence from President Nelson Mandela to my father on the day of my mother’s death from ALS in Johannesburg April 2008
My mother reuniting with Comrade Ahmed Kathrada, who spent 27 years in jail with Comrade Nelson Mandela and other Rivonia Trial accused. (Photograph taken by me in Stockholm, Sweden mid-1990). On the right is Comrade Winnie Mandela (who along with Nelson Mandela was friend and comrade of the family dating back to the 1950s) and in the background on the left is my father
My mother addressing an anti-apartheid meeting in New Delhi mid-1980s, alongside the wife of the Amvassador of SWAPO of Namibia and Mrs. Margaret Alva

For my mother, Zubeida Moolla, and for the countless women, names unknown, who bore the brunt of Apartheid, and who fought the racist system at great cost to themselves and their families and for women fighting for human dignity the world over

My mother meeting President Nelson Mandela upon his release from prison 27 years after they last saw each other. (Photograph taken by me in Stockholm, Sweden, in the summer of 1990)
My mother meeting President Nelson Mandela upon his release from prison 27 years after they last saw each other. (Photograph taken by me in Stockholm, Sweden, in the summer of 1990)
My mother with President Nelson Mandela's mother, alongside South African women of all races protesting the imprisonment of their loved ones who were thrown in Apartheid South Africa's jails as political prisoners. (Photograph from The Nelson Mandela Foundation in Johannesburg)

My mother with President Nelson Mandela’s mother, alongside South African women of all races protesting the imprisonment of their loved ones who were thrown in Apartheid South Africa’s jails as political prisoners.

(Photograph from The Nelson Mandela Foundation in Johannesburg, South Africa)

My mother addressing an Anti-Apartheid meeting in New Delhi – mid 1980s
South African Struggle Poster


✊🏾 For women everywhere ✊🏾




Pregnant, your husband on the run, your daughter just a child, a few years old,


they hauled you in, those brutish men, into the bowels of Apartheid’s racist hell.


They wanted information to sell your comrades out, you gave them nothing, these savage men, who skin just happened to be lighter,


You did not cower, you stood resolute,


you, my mother, faced them down, their power, their ‘racial superiority’, their taunts, their threats.


You stood firm, you stood tall.



You, like the countless mothers did not break, did not fall.



You told me many things, of the pains, the struggles,


the scraping for scraps,


the desolation of separation from your beloved children,


by monstrous Apartheid, by brutish men, whose skin just happened to be lighter.



You told me many things, as I grew older, of the years in exile, of the winters that grew ever colder.



You were a fighter for a just cause, like countless other South African women,


you sacrificed much, you suffered the pangs, of memories that cut into your bone, your marrow,


you resisted a system, an ideology, brutal and callous and narrow.



Yes,


you lived to see freedom arrive,

yet you suffered still,

a family torn apart, and struggling to rebuild a life,


all the while, nursing a void, that nothing could ever fill.



I salute you, mother, as I salute the nameless mothers,


the countless sisters,

daughters,
women of this land,

who fought,

sacrificing it all by taking a moral and principled and valiant stand.



I salute you,


my mother,

and though you have passed, your body interred in your beloved South African soil,


you shall remain, within me,

an ever-present reminder,


of the cost of freedom, the struggles, the hunger, the toil.



I salute you!

Viva the undying spirit of the women Viva!






For the brave women of South Africa, of all colours, who fought against racial discrimination and Apartheid and for women fighting for human dignity the world over


South African Struggle Poster
South African Struggle Poster
South African Struggle Poster
South African Struggle Poster
My mother and my then 7-month old sister Tasneem, following the arrest of my father under the infamous “90-day Detention Law” raids against anti-apartheid activists in 1963
art from google



The letter from President Nelson Mandela to my father on the day my mother passed away.

My parents were comrades of President Nelson Mandela stretching back to the 1950s




For a Mother …



She left me,
with only the thoughts of her embrace to warm me,


in frigid mornings of tomorrows yet to come.




She left me,
with her words of tender truths to shroud me,


in the coming evenings of stabbing sleet and hail.




She left me,
yet she stays forever within me,

in my waking dreams
and in my restful thoughts,

she stays forever within me,

she remains an abiding part,



of the love,
the pain,
the tears,



and thusly,


we shall never, ever be truly apart.








( for my mother, who passed away on the 4th of April 2008, after a long battle with Motor-Neurone Disease or ALS, and for every brave soul battling ALS and other illnesses across the globe )



Zubeida Moolla (1934 – 2008)





My Mother – A True Story.





My mother used tell me this with tears in her eyes.




My mother left South Africa in the 1960’s to join my father who was in political exile at the time in Zambia and Tanzania.


My father was a close comrade and friend of Nelson Mandela and shared the cell next to Mandela during one of their periods of being jailed by the Apartheid security services.



My father later escaped from Marshall Square jail along with his comrades, Abdulhay Jassat, Harold Wolpe, and Arthur Goldreich.



The four escapees were then were spirited out of South Africa as there was a then £2000 reward for them to be captured – dead or alive.



In 1970 my father was deployed by the African National Congress of South Africa (ANC) to India to be its Chief-Representative there.



I was born in New Delhi a couple of years later in 1972.



My mother and father spent two years in Mumbai (then Bombay).



One afternoon my father fell and broke his leg.



My mother knocked on their neighbour’s door of the apartment complex where they lived.



The neighbour was an elderly Punjabi lady.



My mother asked the elderly lady for assistance in calling a doctor to see to my injured father.



A Zoroastrian (Parsi) ‘bone-setter’ was promptly summoned.



My mother and the elderly neighbour got to talking and the lady asked my mother where they were from, as their accents were clearly not local.


My mother told the elderly Punjabi lady that my father worked for the African National Congress of South Africa and had been forced into exile to continue to struggle to raise awareness internationally about the appalling situation in Apartheid South Africa.



My mother also mentioned that they had to leave their two young children (my siblings, whom I met only later in life) behind in South Africa, in the care of grandparents, and that they were now essentially political refugees.



The elderly lady broke down and wept uncontrollably.



She told my mother that she too had to leave their home in Lahore in 1947 and flee to India with only the clothes on their back when the partition of the subcontinent took place and when Pakistan was torn from India and formed, due to narrow religious and sectarian reasons, whose repercussions are felt to this day.



This was also a time when religious violence wreaked havoc, and untold suffering and death for millions of human beings.



The elderly lady then asked my mother what her name was.



‘Zubeida’, but you can call me ‘Zubie’.



The Punjabi woman hugged Zubeida some more, and the two women, seperated by age and geography, by religion and all the things that seek to divide humanity, wept, for they could understand the pain and trauma of a shared experience.



The elderly Punjabi lady told my mother that she was her ‘sister’ from that day on, and that she too felt the pain of exile after being forced to become refugees, and what being a refugee felt like.



Zubie and her husband Mosie (my father) and the family next door became the closest of friends.



Then came the time for Mosie and Zubie to leave for Delhi where the African National Congress (ANC) office was to be officially opened.



The elderly Punjabi lady and Mosie and Zubie said their goodbyes.

A year or two later, the elderly lady’s daughter Lata married Ravi Sethi and the couple moved to Delhi.



The elderly lady telephoned Zubie and told her that her daughter was coming to Delhi to live there, and that she had told Lata, her daughter that she had a ‘sister’ in Delhi, and that she should not feel alone.



Lata and Ravi Sethi then moved to Delhi in the mid-1970’s.



Lata and Zubie became the closest of friends and that bond stayed true, till the both my mother passed away in 2008.



My father and I still feel a close bond with Lata and Ravi Sethi, and vice versa.



A bond that was forged between Hindu and Muslim and between two countries of South Africa and of India, shattering the barriers of creed and of time.



A bond strong and resilient, forged by the pain and trauma of a shared experience.



That is why I shall never stop believing that hope shines still, for with so much religious bigotry almost consuming our world today, there will always be a woman, somewhere, anywhere, who would take the ‘other’ in as a sister, and as a fellow human being.



And that is why, I believe, that there will always be hope.



Hope in the midst of unbearable pain and hope in the midst of loss and of unspeakable suffering.



Hope.


For we can never give up hope for a better world.






(For aunty Lata’s late-mother, my mother’s ‘sister’ and who took us all into her heart, and for Lata and Ravi Sethi of Defence Colony, New Delhi, India)


Zubie & Mosie, Delhi (mid 1970s)

Our shared Strands

Quote from Google





Our shared strands ...




Our shared strands of light,

of hope.


Afloat on tendrils of starstuff,

whispering warmth
-

hoping hope may be found.


Sketching memories, painting tears,

falling like leaves,

etching reminders of less warm times -

hoping hope may be found.


Time tenderly infuses hope,


cajoling me,

urging you,


caressing us all,

to embrace
the here,

the now -

for hope to be found,


somehow.







Quote from Google

Hope Redeems.

Picasso’s “Peace Dove”








Hope Redeems.




Hope redeems.

No,
hope refuses.


Hope refuses to flee,
entwined around each raw nerve,

hope refuses to abandon me.


Hope toils,
labouring in my barren nights.


hope recoils,
hope does not blather on,

hope is stubborn,
hope rebukes my excuses,
hope rebuffs all perceived slights.


Hope redeems.

No,
hope promises nothing,

hope offers no promises to fracture,

hope offers no vows to break,

hope stammers no oaths to me,

hope simply refuses to flee.



Hope remains within me ...

... hopeful
.








Picasso’s “Dove of Peace”

my lifetime of lies …

quote from google







my lifetime of lies ...




... murmurs of this life's memories, curl like wisps of smoke,


fading into the ether, leaving the poison of all the lies I have wrapped around me,


my own infected cloak ...


... every blurred image from that long lost time when I was young,


not a single day has passed into night, when I have ceased spinning the lies that I have spun,


leaving every soul, everything that ever was whole,


flushed down into the tentacles of poisoned sewers, my every reeking breath throttling each being, into my putrid void,


of all goodness devoid,


yanking everyone to drown in a bottomless hole,


leaving nothing left on the carcasses from whom I pillaged and stole,


each breath breathed, throttled in lies that I have sheathed,


with words easily sputtered, vows and promises vilely muttered,


into ears I have nibbled and kissed,


each promise an oath betrayed, my forked tongue camouflaging all the bile I have hissed,


leaving those who chose to know me, to love me, to hold me in their hearts,


leaving them all battered, victims all of my poisoned darts,


taking and taking and taking, and then taking some more, consumed by my wretched greed,


then casually discarded, when left with nothing more to quench my revolting need,


each soul a person,
every heart a gem,


my caressing fingers thrusting thorns in each tender stem,


and now, after a lifetime of suckling, I see them all in my reflected face,


I feel them all in every crevasse, my willful deceptions impossible to ever erase,


while the mirror now reflects my eternal shame, desecrating all like mere pawns in my carefully crafted game,


leaving a sludge-filled trail of long overdue arrears, as I shamelessly weep yet more crocodile tears,


bleeding more and more for more and more,


then banishing each one on an empty shore,


having gutted them all to their very core,


till they see me as a person no more,


just a repugnant man, who has never given a damn,


yes,
finally,

and at long last,


they can see me for what I really am ...









quote from google

my confession …

street art from google





my confession ...




my ceaseless deceit, my puffed-up conceit, reeking of what i am, of what i do, of my pathetic charade, my sacharine parade - coiled in an infinite loop:



a conscienceless repeatedly repeating repeat ...



... juggling halves,
my polar mind skids, with no traction on this seesawing slide,



as it scurries off to hide,



behind effortless lies,
spewing forth with a phantom innocence in my eyes,



throttling the urge to feel honest emotions,
soiling all meaningful ties,



strangling the surge of a feeling so fleeting, so devoid of all meaning,



while by the by,
my desecrated soul rips and shreds,



fleeing like rotten cowardice, up and away into the grieving skies,



with nothing but putrid detritus left behind,



stinking up the paths i always seem to find,



and always, always,



always concocting spurious excuses, blaming it all on the chemicals misfiring between the crevasses of my unkind mind,



while getting away with it all for the briefest time,



shivering with stunned fear,



knowing, always knowing,
i shall be exposed,



no matter how craftily i regurgitate each and every scribbled rhyme,



as i desert the purest ones who truly care,
the truest ones who have never hesitated to share,



as i tread with crocodile smiles, upon the hearts and souls they have with love laid bare,



while by the by,
i feel nothing as i abandon them with scarcely a goodbye ...



... and so it always goes, as it has always gone, and as it will always go,



my heart frigid, my soul inured,



hardly sparing a passing glance,



as i leave in my toxic wake, the shattered trust,



an epic of reeking untruths, spun in my web of feigned love, of all goodness pummelled into dust,



blow by excruciating blow,



yes, it is i,



who leaves nothing but a snaking pyroclastic flow ...



... and blah-dee-blah,



and so it always goes, as it has always gone,



and as it will always go ...






art by banksy

art from google

Racism + Silence = Complicity ...






racism stalks the cities, slimy and rotten,


memories of Apartheid, of segregation, so conveniently forgotten.




racism infects the home, reeking and vile,


memories of discrimination, of slavery, bubbling up like bile.




racism must be fought, in words, in thought.




racism must be defeated,


lest its repugnance be continually repeated

quote from google

from google



the parallel lines of love ...





i sometimes fear that i can never be yours,

the sinking feeling of facing closed doors,

where there is no space for me,
where there is no space for you,

in this cruel world where these truths are excruciatingly true.



i often think of this path we have chosen,
fingers slipping away as we slip on the cold earth so frozen,


where i shall always be the outsider, forever more,
a stab that strikes at my deepest core.



i wonder how i shall traverse these thorny alleyways,
knowing you and i shall love each other always,

but what becomes of a love akin to parallel lines that will never meet,
with just this ink pouring words on an empty sheet.



we are torn apart by this gaping hole,
you are where you are, i am where i can never be whole.



i sometimes fear that i can never be yours,

for wherever i look, i end up facing closed doors ...






from google

art | equation from google



love and silence …






you and i,
shielded by silence.


barred from ourselves at times.

exiled hearts,
building ramparts.


a wall
that may fall.


so,

my friend ...

lay your head on my chest,
letting my fingers run through your hair,

lulling you gently to rest, as we share our silences,


for life is far too short anyway,

to squander even a day.





art | equation from google

Sunset at Baobab Tree” by Errol Norbury

The Traveller and the Baobab Tree …



1.


A summer breeze,
drifts down lonesome pathways and byways and alleyways,
touching worlds,
torn apart.
The breeze engulfs,
a pristine sky of blue,
while,
scattering the murmuring clouds,
that blanket the blazing African heavens,
in swirls and immaculate shrouds.


2.


A passing shower,
of gentle misty rain,
settles,
on freshly scented-earth.
It soothes,
it caresses,
the exhausted thoughts,
of,
a weary traveller,
who sits,
alone, all alone,
under a Baobab tree.


3.


The traveller walks alone,
at peace with the fragrant soil,
collecting memories of smiles embraced along the way.


4.


Finally, the wandering soul,
seeks rest,
finding peace at last,
yet,
knowing its price,
is to let go –
each memory,
and every smile,
that once burned true,
but now,
awaits release,
from the ache of the lingering past.

Rhino at Sunset with Baobab Treeby Errol Norbury

art from google


August 6th, 8:15 AM, 1945, Hiroshima







The flying machine, a harbinger of death, flew across oceans, a beast in the morning calm.



The Enola Gay*, and Little Boy** silently sliced the skies, roaring ever closer to ground zero.




Hiroshima bustled, the sound of birds, of children, of mothers preparing breakfast, of fathers shaving their one day old stubbles.




Dogs barked, cats tucked themselves in corners, children skipped, vegetable stands ploughed the streets.




The Enola Gay flew nearer.




Hiroshima's people oblivious of the hell that awaited them, the fires of apocalypse that would soon consume them, laughed and quarrelled and worked and haggled the price of the fresh morning fruit.




It was at 8:15 AM, the metallic beast prowling above released Little Boy.




Little Boy fell, down towards the city, to fracture its people, in the hubbub of early morning.




The Atomic Bomb exploded, its light blotting out the morning sun, its deafening roar bursting eardrums.




The payload was delivered.




The Generals at Command Centre were triumphant.




The Enola Gay flew away, leaving a mushroom cloud rising higher and higher as it rained down unspeakable horrors, indescribable destruction.




It has been said that in Hiroshima that day, and in the weeks and months that followed, the living envied the dead, their skin peeling off as they roamed their city, their home, consumed by the sickening howls of pain from every quarter.




Little Boy exploded as it fell, releasing a heat that burnt people, searing their shadows into walls, preserved till today, a ghastly reminder of that savagery that befell all.




Radiation from the Bomb creeped into flesh, scorching innumerable innocents, as nuclear ash fell all around.




Man had created a weapon of such savagery, such indifferent brutality, a bringer of horrors, grotesque and merciless.




Man had used the weapon, not once, but twice, for three days later Fat Man*** was unleashed on Nagasaki.




I could write on, attempting to describe the indescribable horrors that rained down on Hiroshima and Nagasaki.




I could write on, about the deformed babies being born, decades after those two days in early August of 1945.




I could write on, about the inhumanity man visited upon fellow human beings.




I could write on, about the stockpiles of nuclear weapons - tens of thousands of bombs - far, far more powerful than those that reduced Hiroshima and Nagasaki to radioactive ash.




I could write on, about the nuclear, chemical, and biological weapons housed in the silos of those who preach peace, of those who crow on about democracy, of those who let their people starve while testing the means to carry these weapons of hell across oceans.




I could write on, about the hypocrisy, the money spent on machines of destruction, as most humans of this world go hungry each night and day.




I could write on, and on, and on.




But what more can anyone say, as the wailing, the shrieking screams of the victims echo across time,




till today.





_________



* Enola Gay - the plane that carried the Atomic Bomb.

** Little Boy - the code name for the Atomic Bomb dropped on Hiroshima.

*** Fat Man - the code name for the Atomic Bomb dropped on Nagasaki on August 9th, 1945.


art from google

would you walk with me?




would you walk with me?



would you walk with me through the wildest storms, wracking distant fields of green,


beneath raucous whirlwinds, under the lightning shrieks of night,

where yearning aches,
where my heart splinters,
where this cold world wounds,

would you take my hand in yours,
taking flight,

to soar in the haunted shimmering
of fractured moonlight.




would you take my hand - and with me disappear?

from this cesspool of hurt,
from this cauldron of fear,


to our pastures of peace,
not so far away from the now,

and

not so removed from the here.




would you lay your heart,

to rest
beside mine?



sharing

ceaseless laughs and

tears,



sharing
our love, a reflection

of our desires, our fears,


sharing a placid calm, banishing aches and

sorrows,


for our love rejects all labels,

our love discards the detritus of this callous life,

our love dares to dream our dream we dare not dream,

the dream of many shared tomorrows.



would you walk beside me,

hoping to heal our thousand little cuts,
escaping our strewn life so casually
tossed,


to lose ourselves in landscapes etched and sketched,

with delicate hues deeply absorbed,


into a cardamom mosaic gently embossed.




would you sail with me, our hopes skipping on a moonbeam?


bathed in rain-drenched kisses,

soaring across the seas,

dancing,
hopping,

barely afloat,

on cinnamon waters,


sharing that ever elusive elixir,

sipping together, from a honeyed stream,


so that finally, and at long last,

I may hobble on,

trying to,

at long last,


my countless sins begin to redeem.





and so, and yet,


would you still walk with me?




art by banksy

Racism is Binary …

from google


Racism is Binary ...



racism stalks streets,
flowing with blood,

red blood.


not black, white, saffron, green, yellow,

but,

red blood,

like the colourless tears that stream,

down faces of all hues,

and

of every shade,

human beings all,

just humans,

who into dust or ashes do fade.



racism on the prowl,

deafening,
virulent ignorance,

embraced by those who hate,

seeping out of diseased tongues that bray & howl,

while,

humanitys’ corpse,
lies in state.



racism is binary,
soul-less,

with just a single choice to make,

so think carefully now, o’ patient reader,

cos’ racism is binary,
soul-less,

and there is only one choice that is right …


… the dazzling fusion of a rainbow,

or dull,
bland,

empty white.

from google

from google

The Wind carries his Name ...




They shot him down,
to silence a man of flesh and bone.


Even as the bullets tore through him,the wind carried his name.


Far across the weary fields,high above the stubborn peaks,over the blood soaked streams,the wind carried his name.


They shot him down,to silence a man of flesh and bone.


Yet the wind carries his name,to you and to me,to them and to us.
They shot him down,but his name resounds,as it floats on the breeze.


And,
still they try to shoot him down,to silence us all, to stifle an ideal.


But the wind cannot be stilled,

and the wind carries his name:




Che”.





( For Ernesto Guevara de la Serna )

from google
from google

the swaying of the grass ...




1.



a path leads,
to where wild grasses grow,
sashaying in the summer breeze.



2.



along the path,
solace settles within,
feeling the grass swooning,
tickling ankles,
swaying to lilting bird-song,
in a dance of intimate abandon,
brushing remnants of pain away.



3.



melodies float across fields of green,
delicately caressing my heart,
teasing emptiness to flee,
and comforting the mind,
to silently be.



4.



walking on,
savouring the peace,
a momentary respite,
casting off burdens of the now,
for all is quiet,
in a stillness cradling fractured emotions,
as the grass in the fields sway,
and dusk descends,
while shadows lengthen,


nudging the dimming light to take leave of the day …

from google

She Walks Alone …

a protest poster during the struggle against Apartheid in South Africa





She Walks Alone …




she walks alone,
barefoot in the paddies of rice,
breaking her back for some precious grains.


she walks alone,
in jo’burg town, with a black eye,
smacked around by him the previous painful night.


she walks alone,
in the streets of neon hazed manila,
along the pristine hedges of rotten london,


on the crowded pavements of lonesome new delhi,


across the rolling plains of the vast bounteous pampas,


over the winding back-ways of the sloping and grimy favelas,


on the glittering pavements of rich and sweetly-scented jeddah,


through the blindingly false boulevards of that sad los angeles town.


she walks alone,
bearing the burden of mother and daughter,of cook and sweeper and wife and mistress and punching-bag,

she walks alone,

through your streets and mine,
standing up as she is beaten more down,


loving a little as the bruises on her face turn purple,

feeding the little ones with morsels of hastily cooked beans.


she walks alone,
in factories and in mills and in buses,
in schools and in brothels and in places in-between.


she walks alone,
staying alive on the alms of the ‘charitable’,


violated by those who from the pulpit preach.

she walks alone,


my sister and yours,
my mother and yours too,
my lover and your beloved as well.


she walks alone,
caged by society in its invisible prison,
a slave of norms and culture and religion and caste,

she walks alone,
but she is the conscience of me and you,
screaming at us silently in hunger and despair,

she walks alone,
and though fearful of you men she may seem,

be warned that she may not forever be this alone,

for she too believes,

for she too needs and wants and loves and weeps,

in the silent night of complacency while impotent
mankind sleeps,

and she too will rise and in rising slay,
the beasts that in your callous hearts prowl and lay,

and she too will demand her rightful place,

for every mother and sister and lover and daughter has a real, human face.

from google
from google

from google

Apples & Spinach …

The foul odour of scarred flesh.


The reeking decomposition.



Bodies once animated, once so alive,
Now strewn across the moist ground.



The surgical strike.



The pin-point accuracy.



The smartest weapons,
Deployed,
To decimate the bad guys.



Black and brown people,
More often than not,
Pummeled to a pulp,



Black and blue.



While LCD screens miles away,
Surveil and scan for potential targets,
The unknown other.



The evil doers,
As mothers & daughters,



Pick out apples and spinach
In a market-place in the cross-hairs.




from google

A Tribute by Afzal Moolla

Published in “The Centrifugal Eye – Autumn 2012.” Edition.

Edited by Eve Hanninen

For Pete Seeger, Huddie “Leadbelly” Ledbetter & Woody Guthrie …

It was a long time ago,

when you put your words into song:

‘this machine surrounds hate and forces it to surrender’ you scribbled on your old guitar,

and you wielded that banjo and guitar as weapons,

fiddling out a hail of truth,

of solidarity,

of angry, vehement calls for peace.

You said of leadbelly, that that huddie ledbetter was a helluva man,

you sang and spoke through dust clouds and relief lines,

you taught us all, to seek out hope wherever we can,

and when they tried to call all of you goddamned reds,

you sang on ever louder and louder, rattlin’ their prejudices as they slept in their plush beds,

you rode and you rambled and thumbed your way around,

the land that is my land and your land too,

for you believed all this earth was shared common ground,

and when you sang of overcoming one day,

the injustice and pain that you witnessed along the way,

they further branded you a commie, a pinko or a nigger-lover or a jew-lover, or an enemy of the state,

while your banjo and your guitars continued to surround their blind hate,

‘this machine kills fascists’ you etched on that guitar as well,

but they were all deaf, for they could not hear the tolling of the bell,

‘the bell of freedom,

the hammer of justice,

the song of love between your brothers and your sisters’,

and they knew not that they were the ones who would sizzle in their own bigoted hell,

and then came the marches and you were there too,

with Dr. King in Birmingham and Selma, and you faced their spit, their venomous rage, their clubs and sticks and knives, but you always knew,

that your cause was just and that the truth must one day prevail,

however long it may take, you never gave up, you sang and you marched and you strummed yourselves, victoriously, into their jail,

and then they shot him, they shot Dr. King dead, as they burnt and lynched many more,

yet you stood firm, you never wavered, your blood was red after all, and they could not tarnish the truth’s core,

and so it came to pass, that Woody went on his way, to his pastures of plenty up in the sky,

and Huddie too, said his last and final goodbye,

and you were then one, and you may have felt alone and overwhelmed, by the battles and with all that was wrong,

but then you saw that the people were with you,

as they had been, all along,

and so you continued to fiddle with that old banjo,

dragging it through Newport and Dar-es-Salaam,

and through countless unknown halls in numberless unknown towns,

across this earth, turning, slowly, putting smiles of togertheness, on faces that were once pock-marked with disillusioned frowns,

so …

today as I jot down these poorly scribbled words for all of you,

for Woody, Huddie, and Pete,

ido so in gratitude, for after all the travails that you’ve been through,

I know that you know that this world still has its fair share of hate, and of loss and of injustice and of gloom …

… but I also know that you know that though all the old flowers may have gone,

there always will be,

as there always must be,

fresh flowers ablaze somewhere …

The Stench of Prejudice …

“Usilethela Uxolo” – “Nelson Mandela Brings Us Peace” by Stompie Mavi from the documentary “Amandla!: A Revolution in Four-Part Harmony” by Lee Hirsch

✊🏾

“Amandla!: A Revolution in Four-Part Harmony”

✊🏾

from google

✊🏾

The Stench of Prejudice …

When silent prejudice strikes,

in living rooms with plumped-up sofas,

a quietly insidious venom begins to seep,

into the consciousness of the chattering ones as they sleep …

The beliefs held so true and so deep,

are stripped of all feeling,

empty and hollow and without compassion,

as the conceit grows in the chests of those with righteous passion …

The prejudice once firmly entrenched,

is worn like a warm and comforting shawl,

needing precious little to compound and to mutate,

into the doctrines of superiority, racism, misogyny, gay-bashing,

and of intoxicating hate …

We are all guilty of succumbing to this silent pervasive plague,

as we sip martinis and laugh and shovel more food on our heaving plates,

as we slip into pleasantly inebriated moments we dare not care,

to smell the stench of hate and of prejudice and of greed wafting in the cool evening air …

✊🏾

“Stimela” – “Coal Train” by Hugh Masekela – from the documentary “Amandla!: A Revolution in Four-Part Harmony”

✊🏾

from google

✊🏾

art by banksy

The Markets Are Down 2% …

Banish the hubris,
Toss away the choice words
Spoken by rotten, broken tongues.
Silence the chorus of appalled shock.

Shred the sermons,
Burn down the gory edifices:
The churches, mosques, temples
And the muted Gods they mock.

Drain the sewage.
Flush away the insidious odour
Seeping up from malls, homes, carnivals.
Put it in a closet and weld the key in the lock.

Shut it all off.
Turn out the lights.
Pull the damned plug.
But hold on to that blue-chip stock.

art by banksy

youtube.com/watch

Billie Holiday – Strange Fruit
from google

wearing masks,

shrouding each mood …

… facades

gnawing at raw wounds.

 

wearing masks,

veiling each feeling …

 

… charades

snapping at open sores.

 

wearing masks,

mimicking the other …

 

… masked facades,

veiled charades,

shrouded screens,

masquerading as truth.

 

Truth lies in wait,

beneath the mask,

under the veil,

behind the screen,

through the shroud …

… truth lies in wait,

 

and waits …

waiting.

“Billie Holiday” by banksy
Billie Holiday – Strange Fruit

Poem Series – In your Eyes …

all art from google

Poem Series – In your Eyes.

1.

In your Eyes #1.

in your eyes, a maelstrom of emotion,

in your eyes, whirlpools of desire,

beckoning, inviting me to plunge, into the celestial waters,

of your eyes.

all art from google

2.

In your Eyes #2

whittling down reason, drawing out a rhyme,

searching for the truth,

hurtling through time,

in your eyes, i find my answer, my refuge from the incessant rain,

in your eyes, i sail upon the ocean, devoid of pain.

all art from google

3.

In your Eyes #3.

As another day recedes,

enveloped under the shawl of night,

allow me to drown,

in your eyes.

Moments fleeting,

fickle hands of time unseeing,

allow me to seek solace,

in your eyes.

The trodden path littered with each shard,

regrets this heart wishes to discard,

so allow me to seek refuge,

in your eyes.

I have walked through twisting boulevards of life,

seeking simple joy, away from desolation, strife,

so allow me to find peace,

in your eyes

all art from google

4.

In your Eyes #4.

I find,

the gentleness left behind,

away from superficial smiles,

away from fatigue of the walked mile.

In your eyes,

I feel,

at home at long last,

your love caressing away the restlessness of the past,

stepping out of the shadows to embrace pure contentment,

though a bit player,

in your life’s theatrical cast.

In your eyes,

I touch,

the flame of promise radiating through your loving light,

that is why,

I no longer dread,

the vacuum of encroaching night.

all art from google

5.

In your Eyes #5.

in your eyes,

marmalade swirls,

candyfloss twirls,

draw me ever deeper,

as another day unfurls …

all art from google

6.

In your Eyes #6.

I have plumbed the depths of truth,

in your eyes,

I have found rejuvenated youth,

in your eyes,

I have seen my future, and my now,

in your eyes,

that so effortlessly soothe.

all art from google

7.

In your Eyes #7.

clasping onto hope,

fragile strands of sanity dispelling unseen phantoms,

lost amongst the suffocating crowd,

cloaked in your invisible shroud,

fortitude restraining you from crying out loud,

still your fire rages, crackling embers testament to your dignity,

your insolent defiance, ever steely, seeing through the lies,

your quiet strength resting deep,

in your eyes.

all art from google

8.

In your Eyes #8.

in your eyes, I see,

desolation flee,

in your eyes, I know,

is a humanity that shall always flourish, ever grow,

in your eyes, I see, a fiery need, passion ablaze, mirth set free,

in your eyes, is where I wish to be.

all art from google

9.

In your Eyes #9

in your eyes, I see,

waters of turquoise,

pearls in the deep,

in your eyes, I drown,

swept by the currents,

banishing my sleep,

in your eyes, I feel,

a yearning for peace,

beyond the tears we weep.

all art from google

10.

In your Eyes #10.

consumed by the crowd, deafening silence assailing my ears too loud,

slipping away from the raucous row, the din of moments, the savagery of the now:

finding you,

my open sky so blue,

seeking peace, elusive,

rented out on a married lease,

give me a kiss, honest and true, deep,

in your eyes, finding the peace, that renders me a bore,

exhausted, fatigued,

needing only you, in your arms a restful sleep.

all art from google

11.

In your Eyes #11.

your light blazed bright,

a comet slicing through the moonless night,

enveloped by your sight, dimming the pangs of my darkening plight,

I found my peace, in the blue open skies,

of your eyes.

all art from google

12.

In your Eyes #12.

darkness enfolds night,

suffocating, cold, empty,

I stare, unseeing,

alone, desolate,

till I see,

the light in your eyes.

all art from google

13.

In your Eyes #13.

in your eyes,

spices swirl, dark chocolates whirl,

awake beside you,

your breath against mine,

waiting, as you sleep,

for your eyelashes to unfurl.

all art from google

14.

In your Eyes #14.

in your eyes,

seeing the pain i touch and feel,

in your eyes,

the ache of having to scrape and kneel,

in your eyes,

beholding the fire of your wandering soul,

in your eyes, I see,

the promise of being whole.

all art from google

15.

In your Eyes #15.

May your embracing warmth,

be forever by your side,

may you walk the soft beaches of the fates, at the coming in of the tide.

May life shower you with love, laughter, truth, peace, health,

your spirit be a wellspring of ceaseless wealth.

May your dreams be boundless soaring through hopeful skies,

the open skies residing,

swirling, bubbling,

in your eyes.

all art from google

16.

In your Eyes #16.

Walking along these bending alleys of life,

the promise of meeting a fellow-traveller was deemed far too remote,

and so,

I shut down my heart,

severing all loves’ ties,

but then again,

that was before,

before I gazed into the ocean of your fiery, gentle, irresistibly enticing eyes.

all art from google

17.

In youe Eyes #17.

Your eyes sketch skies,

a silken canvas.

Your touch,

the smell of your hair,

seduces me,

in an avalanche of curls.

Our kisses like tributaries fanning out, eroding life’s cold hard stone.

In your arms,

in the shadows of your form,

I am whole,

I am never alone.

all art from google

18.

In her Eyes #18.

Drowning in her eyes,

eyes chastising me for looking away,

till my gaze got caught, in her eyes’ captivating sway.

“I fear I would drown in your eyes”, I said in a whisper,

“drown”, she murmured.

all art from google

19.

In your Eyes #19.

my starved eyes, aching for a glimpse of your smile, ready to beguile, their thirst quenched, seeking simple joys, not million dollar toys, finally, coaxed the ocean of your eyes, to reveal the kernel of truth beneath the veneer of lies, so love me now, today, where fractured dreams are made whole by the sea spray, plunging deeper into the ocean shimmering in your eyes, hoping we may breathe, like the terror of time, high on up into blue skies, where love roams unshackled, in that ocean so deep,

in your beautiful eyes.

all art from google

20.

In your Eyes #20.

I need no pity,

no earnest sympathies,

hearing the birds singing in the trees,

enough to raise these spirits to the skies,

sans pain, sans beholding eyes.

all art from google
from google

Hardly a Poem

Splinters embedded under my skin,

each memory a shard of stinging glass,

I see that I see it all now,

the infinite regrets meandering,

down foggy alleys of yesteryear,

as decades and moments come to pass.

Wearing my many masks as I cascade,

leafing through my conscious betrayals,

of gentle hearts once treasured,

now left to decay, in the empty cold.

Seeing my treasures turned to stone,

while wearing the blues like a convenient coat,

untrue to most, I stand accused,

in the dock, the fragments of my past,

are all that I am able to hold.

Where do I go from here,

as I stand ashamed, rooted to this spot,

my sins are countless, my excuses fickle,

the lies have been many,

and all the untruths have already been told.

Was it not just a fortnight ago,

when I was younger than I am now,

you loved me completely, you told me so,

while I slithered inside my thick skin,

shutting you out,

and embraced comforting desolation into my fold.

Now the momentary tears have all been shed,

the wounds of time too, have silently bled,

and all beseeching prayers have been said.

I stagger on, my reflection a mirage,

my heart and soul battered black and blue,

still, grasping onto the tendrils of hope,

if not, then I am truly dead.

from google

from google

DISCLAIMER:

Thank you ever so much for all the kind words and sentiments expressed here.

My scribble is just me moping a lot and wallowing in some irresistible self-pity.

I have caused far too many good and kind people far too much pain and hurt and I have been untruthful as well as being many other not nice at all things to those who have been the nicest to me.

So my moping here is just that – moping.

Thank you yet again for your warmth and kindness and to all fellow WordPressers for all the kind words shared by us in this wacky but lovely WordPress family.

from google

I am broken,

fractured, lost amidst the folds of well-meaning words spoken.

I am torn,

splintered, numbing myself in that vain hope of a new day yet to dawn.

I am dead,

inured, feeling no pain even as the flowing of red-hot crimson blood is bled.

I am nothing.

I am nothingness.

I am choking,

flailing, churning in the maelstrom as my life lies in cinders, silently smoking.

I am moulting,

discarding this sorry skin in which I feel unbearably revolting.

I am without place,

a dandelion seed on the thermals that scald my innerspace,

I am without place,

a shell of a man who can longer bear to see his own face …

from google

“Ode to Joy” – Beethoven 9th Symphony sheet music from google
“Starry Night” by Vincent van Gogh

Poem Series – Vincent van Gogh and Ludwig van Beethoven #1 to #10

1.

Vincent and Ludwig # 1.

“Do you know, my dear Ludwig, that I’ve sold just one of my paintings?”

“Yes, Vincent, do not despair, my friend, they cannot, will not, fathom the flower that reveals its petals before their eyes”

“I suppose you are right, old friend. They cannot, will not, hear your ‘Ode to Joy’, though it is you who are deaf!”

“But my dear Vincent, you do hear my ‘Ode to Joy’, deep in your soul”

“Yes, I hear it, I feel it, Ludwig, flowing like liquid paint through the canvas of my veins”

“My dear Vincent, I too feel your brush-strokes, and in each swirl of colour I hear your joy, and I can touch your pain”

“What does that make us, my friend? Two men cast adrift on the bluest seas, leaving nothing behind, yet heading nowhere. What does that make us then?”, asks Vincent.

“Human”, replies Ludwig, smiling.

“Human, yes, dear Ludwig”.

“And that is enough”, says Ludwig, almost to himself.

“It is enough”, smiles Vincent.

“To be human. It is enough.”

Vincent laughs, as Ludwig watches a gentle wave caress their toes, through their tattered shoes.

Symphony No. 5 sheet music from google

2.

Ludwig and Vincent #2

‘what inspired you to write your 9th?’, Vincent asks Ludwig.

‘madness, dear Vincent. Distilled, concentrated madness’.

‘wasn’t it madness that drove you to sketch starry nights above a sea of Irises?’, Ludwig asks Vincent.

‘madness it was, Ludwig. A madness of the soul. Restless, frantic, maddening madness’, whispers Vincent.

‘what does that make us, my dear Vincent?’, Ludwig murmurs, leaning close to Vincent.

‘sane’, says Vincent.

‘yes, Vincent. Sane’, responds Ludwig.

Vincent reaches up and feels around for his phantom ear,

Ludwig smiles, touching his ear that once could hear.

“Irises” by Vincent van Gogh

3.

Talking with Vincent #3

Alone,

in conversation with Vincent, we talk.

‘loneliness got to me’, he says with a smile.

I smile. I know.

‘I tried, I honestly tried’, says Vincent.

I know. I tried as well.

‘I tired, eventually I just tired’, he said with a wink.

I am tired too, I said.

‘I know’, replied Vincent.

art from google

4.

Vincent and Ludwig #4

“we are mere vagabonds, scraping here and there, never belonging anywhere, and never wanting to belong somewhere” said Vincent to Ludwig.

“yes my dear Vincent, we walk this earth with tattered shoes, our madness binding us in friendship, feted now and then, yet mostly left to ramble through our lonesome lives” Ludwig says, looking down at his weather-beaten boots.

Vincent and Ludwig share a smile, each knowing the feelings felt when sinking deeper into the depths of despair.

“your ‘sunflowers’ always bores a hole into my heart, my dear Vincent, your flourishes live in the swirls and your warmth and love for humanity shines through, tearing at my insides” Ludwig murmurs to Vincent.

“just as your ‘ode to joy’ bores a hole into my soul, with your unselfish, transcendent love for all living beings, alive and resounding in every note” Vincent says, looking into the distance.

“what are we, my dear friend, tortured by our inner demons, left to rot by the wayside, torn and broken by this harsh world all around us” Ludwig asks Vincent.

“we may be mad, and maddeningly so, my friend, but why do we see the smiles washed off the faces of the sane, why do we we tears trickling down from far too many eyes” Vincent says with a rueful smile.

“yes, my dearest Vincent, it often appears that this whole world, this whole veneer of civility, these people who have enough yet always clamouring for more, while those who have nothing hunger for just scraps” Ludwig says, almost to himself.

“and we see it every day, in their greed glazed eyes, their grubby grabbing hands, their world they call sane” Vincent mumbles.

“what are we then, Vincent, in this world of naked oppression, in these places of vulgar ostentation, in the midst of all this madness” Ludwig asks, looking to his friend.

“we are sane, my friend” Vincent says tugging at his phantom ear.

“sane, yes Vincent. sane” Ludwig says with a smile, his fingers feeling his ear that once could hear.

“sane“

Self Portrait by Vincent van Gogh

5.

Vincent and Ludwig #5

Vincent stared at the early evening sky.

Ludwig looked at his friend.

“why do we feel so alone, dear Ludwig, just look at this canvas, it bathes us, blankets us, and is filled with flashes of light” said Vincent.

“flashes of light, soaring like an orchestral crescendo, a blanket shared with a friend, yes, and yet, my dear Vincent, ifeel desolate”, whispered Ludwig.

“do you see the empty space between the flashes of light, my friend, that space is what your music colours“, Vincent said.

Ludwig looked up, smiling, ” yes, the space your colours infuse with hope, with every stroke of your brush, hope for those caught in all the empty spaces“.

“hope for us all, in each of our very own, empty spaces, yes“, Vincent smiled at his friend.

“empty spaces, but infused with colours, music, and hope“, whispered Ludwig, his smile broadening.

“hope“.

“hope“

art from google

6.

Vincent and Ludwig #6

“they call us mad, dear Vincent”, Ludwig said to his friend.

 

“even as you sketch starry nights on the blank canvas of this torrid life”.

 

“yes, my dear Ludwig, they call you insane too, even as you pluck odes to joy from the depths of deafness”.

 

“they call us mad”, whispers Vincent. 

 

“mad, indeed”.

 

“I would rather be mad, than numb”, breathes Ludwig. 

 

“I too would rather be mad than what they expect us to become”, Vincent sighs as the two men share a smile.

 

“mad, yet never mere shades of ice”.

“Café Terrace at Night” by Vincent van Gogh

7.

Vincent and Ludwig #7

“i paint starry nights, Ludwig, to help me forget each torrid day”

“and i compose odes to joy, Vincent, to keep pain at bay”

“we are alike, you and i, dear Ludwig”, Vincent says as he sketches a smile

“yes Vincent, we are alike, our tattered shoes yet to carry us across so many a mile”

from google

8.

Vincent and Ludwig #8

“I often wonder how hands so coarse are able to infuse a stark, naked canvas into a symphony of sensual brushstrokes”, Ludwig says with a wink.

Vincent laughs, “as have I, wondered that is, how such a stark raving mad soul may transform a mere gaggle of notes into soaring orchestral harmony”.

Ludwig smiles, nodding at Vincent, who smiles at his bruised hands.

“Wheat Field with Cypresses” by Vincent van Gogh

9.

Vincent and Ludwig #9

“i often write to Theo, my heart dripping bloodied ink on paper, burning up the parchment. Theo is my brother, dear Ludwig, who often sends me money, to get by” said Vincent.

“i understand, Vincent, life has dealt me similar circumstances, a jangle of cacophonous silence instead of the song of even the solitary bird” Ludwig breathes.

“i sketch my own pain”

“and i compose mine”

from google

10.

Vincent & Ludwig #10

“oh to hear a bird singing perched on a fresh twig, weeping down willowy branches, into an azure stream”, said Ludwig to Vincent.

“yes, my friend Ludwig, my nightmares aren’t raucous, but silent”, murmured Vincent.

“a desolate silence”, Ludwig breathed.

“loneliness”, whispered Vincent.

“loneliness”.

“The Potato Eaters” by Vincent Van Gogh

11.

Vincent and Ludwig #11

“my dear Vincent”, breathes a pensive Ludwig.

“have you found any work as yet. I ask it rhetorically because I know the answer”

Vincent smiles, “your wit hasn’t forsaken you, my friend. Do you know that they call me a “Van Gogh-wannabe”, and I try but always in vain to explain to them that I am a van Gogh, to which the kindly people look at each other and say”,

“and look he even ‘looks’ a bit like Vincent van Gogh and the charlatan even dresses like the great artist himself. The cheek of it”

Vincent laughs as Ludwig shakes his head in what seems to be utter astonishment.

“but my dear Vincent, that’s exactly what they accuse me of being – ‘a Beethoven clone’ – alas my friend, what lesson can we learn from these bizarre happenings?”

Vincent smiles, tugging at his phantom ear,

” they barely acknowledged us as human beings during our times, my dear Ludwig, and in 2015 they accuse us of masquerading as the ‘great’ ‘genius’ ‘incomparable’ Ludwig van Beethoven and Vincent van Gogh”.

Ludwig laughs heartily and sings lines of a song Vincent thinks sounds strangely familiar…

‘… this world was never meant for one as beautiful as you…”*.

*Lyrics from Don McLean’s song “Vincent”.

Für Elise” by Ludwig van Beethoven sheet music from google

12.

Vincent and Ludwig #12

“Your ‘Sunflowers’ evokes the beauty of a sublime sonata to my deaf ears, my dear Vincent”,

“Ah! but you do hear! You hear the passions that torment my soul, my dear friend Ludwig”,

“And you paint in the colours of my dreams, Vincent, where I am alone in a field of sunflowers, as the moonlight caresses each tender stem”,

“Yes, Ludwig! Just as your ‘Moonlight Sonata’ moves me to tears, the tears that you see as delicate drops of dew on the sunflowers of your dreams”,

“Sunflowers bathed in soft moonlight”, smiles Ludwig,

“Oh yes, that same canvas of night that sways to the delicate touch of your music”, Vincent says with a wink.

Ludwig smiles again, as Vincent laughs a hearty laugh.

Beethoven Symphony 9 sheet music from google
“Sunflowers” by Vincent van Gogh

hope in dystopia

hope in dystopia …

fingers raw, bruised and sore,

masks stripped, truth tearing at the core,

feelings forgotten, discarded and rotten,

emptiness scratching at the bottom,

moments fungal, trapped in this desolate jungle,

scalding pride to ashes cold and humble,

dreams trashed, memories adrift, lashed,

wheels of lives callously slashed …

still, yet, always,

hope persists,

through life’s turns and twists,

hope never dies,

hope resists …

art from google

For Wendy Cope.

(Inspired by her poems ‘Bloody Men’ and ‘Flowers’)

1.

I may not have brought you flowers.

I know I was always late.

You tolerated my moodiness,

and my ever-increasing weight.

2.

You said men were like buses,

and you had grown weary of waiting,

Of putting up with my quirks and my fusses,

though we barely knew we were dating.

3.

Ah, but we weathered the squalls;

Your patience has always been saintly.

And now that old age palls,our tiffs are recalled only faintly.

4.

We laugh at youth’s follies and know,

the beauty we had sought unaware;

It’s as wide as a calm river’s flow,and as timeless as our years of care.

___________

(Inspired by Wendy Cope’s poems ‘Bloody Men’ and ‘Flowers’)

Searching …

Searching.

Searching, in the debris of the past, scraps of casually discarded emotion.

Searching, in hastily trashed yesterdays, an inkling of moments flung away.

Searching, in heaps of rubbished words, that tiresome sigh of defeated thought.

Searching, in the layers of moulted skin the wilting self that once was true.

Searching, in the reflections between the ripples, for the whispered pangs of roaring desire.

Searching, in the blank eyes streaming endlessly, an echo of the faintest sigh of new life.

Searching.

art by banksy

the stream of life …

the meandering stream of our lives, hopping over smooth pebbles, jarred by jagged rocks, swirling down maelstroms, surfacing in placid waters, washing up all our carried detritus on tiny islands of hope, coursing through the rapids of fate, just as life races on, a perpetual journey wrestling the still waters where hope itself, seemingly lies in state.

our lives, the daily grind, the cacophony of the banal, remains afloat, seeking solace in between crevasses, welcoming the temporary respite from the incessantly onward flow, stripping our skin bare, raw wounds inflicted by the flotsam and jetsam of these travels, the travails of the many masks we wear, seeking respite in the promise of an endless sea, always just around the corner, where for once, we may moult our broken skin, and where for once, we may just be.

the rising and ebbing of the tides, leave us gasping for breath, a seemingly endless cycle of the distant beacon of joy, only to be blinded by the silt, as the stream rolls on obliviously, leaving us gasping for breath, a twig snapped in two, while destiny offers us the mirage of a peaceful shore, only to be struck by the truth, the tired realisation that the stream rolls on, evermore.

we are torn apart by the ceaseless wear and tear, the infinite tears lost in the deluge, our fleeting laughs, our vanishing smiles, being pounded against the silence of the shallows, with hope a seductive vision, prodding us to go on,

to not sink in the greying depths of despair,

while we continually fall for the falseness of the charade,

grasping for just another breath of life affirming air.

Picasso’s Dove of Peace

a bloviating manic-depressive …

“Les Voyageurs” by Bruno Catalano

a bloviating manic-depressive …

squirming inside my skin,

razor blades grating within,

needing to moult once more,

knowing i am a wastrel, a festering sore.

whirling static in my mind,

swirling rainbows left behind,

needing to turn off every light,

knowing i am a stain, a grotesque blight.

jangling nerves shatter my soul,

rhymelessly battering my whole,

needing to flee from all of this,

knowing i am a mistake, hideously amiss.

discordant shrieks assail my heart,

baleful cries rip each moment apart,

needing nothing but desolate space,

knowing i am a shell, a hollow carapace.

wake me up when this night takes leave

thrash me with your words that cleave,

whip me into desiccated formlessness,

for there is nothing here i will ever miss …

art by banksy

when death comes calling …

when death comes calling,

slipping effortlessly to rest by my side,

i will not flee, i will not try to hide,

i will not seek to scurry away,

i will embrace the dying of the day,

i will not cling to each breath,

i will not cower before death,

i will not try to escape it’s grip,

i will not steady myself as i slip,

for i know my betrayals well,

and i will have no more lies to tell,

so when death comes calling,

i will wade into the dark incoming tide,

for i am far too tired to continue to hide.

the air and the flute …

from google

the air and the flute …

… as air caresses the flute,

unseen,

leaving not a trace
of itself,

gently melodious notes
echoing,

fused,


by passionate breath mingling with air,

unseen.

… as does yours,


your breath and mine,

leaving fragrant traces,

of where your lips have been.

art by banksy

A Poem of Hope …

A Poem of Hope …

May we be gentler, softer and generous in spirit,

may we raise our voices against injustice whenever and wherever we see it,

may we treasure the love of family and of friends,

may we not be suckered into the million and one new trends,

may we speak truth to power in this world that is veering to the ominous right,

may we hold on to our basic humane principles strong and tight,

may we embrace the other without being bombarded by politicians’ peddling fear,

may we realise that all races and religions and genders belong equally on this earth so dear,

may we struggle for mother earth and may we heed her cries,

may we realise that without her everything dies,

may we continue to stand and fight for gender-rights and equality and justice and peace and hope and dignity for all,

may we be more willing to lend a hand to those who slip and fall.

May we finally realise that all the blood that has been callously shed –

is of one colour,

for we all bleed red.

Port of Call

“The Immigrant Void” by Bruno Catalano

Port of Call …

Barefoot on a talcum beach,

alone, not lonely,

with the breath of the ocean

a caressing balm,

soothing pained memories away,

to the swaying of a solitary palm.

Barefoot on a talcum beach,

alone, not lonely,

feeling the brushing away of past turmoil,

on a quest for solace ever so hard to find,

yet comforted by the crashing of the waves,

as the tide washes away pain,

leaving despair far, far behind.

Barefoot on a talcum beach,

alone, not lonely,

drenched in a sea-breeze of mist,

shushing aches of bygone moons,

tasting the salty tang on my lips,

as the burnished sun,

over the distant horizon,

swoons,

and dips.

Barefoot on a talcum beach,

alone, not lonely,

searching, ever searching,

for a slice of solitude,

as memory bids adieu,

reaching under the sea so vast,

and seeking comfort in the depths,

while embracing

tomorrows to come,

wishing that they be true.

Barefoot on a talcum beach,

alone, not lonely,

seeing my truths drown,

as they slip beneath turquoise waters,

feeling my heart ablaze,

with a passion that barely falters.

Barefoot on a talcum beach,

alone, not lonely,

knowing that I am home at last,

wishing the waves would wash away,

the defences that once stood

like an impregnable wall.

Barefoot on a talcum beach,

alone, not lonely,

I have found,

at long last,

my own port of call.

“The Immigrant Void” by Bruno Catalano

The African Rains …

The African Rains …

Soaking, the rains settle,

meandering over jagged faultlines of our memory.

Drenching, the rains settle,

streaming through veins, the thud-thudding of the heartbeat of Africa.

Absorbing,the rains that settle,

within each of us,

herald rebirth.

And, if you listen,

if you strain to hear,

while shedding the raucous noise of your inner turmoil.

If you listen, the whispers of the ancestors,

speak to us all, lending us warmth,

urging us to stand

even though we may stumble,

even though we may fall.

Talkin’ Bipolar Blues …

Talkin’ Bipolar Blues …

I’m just a-waitin’ around,

aching for that day,

when pain flees,

scurrying away,

when I’m not lost in this wilderness of desolation,

when life doesn’t feel like a torturous aberration,

yes, I’m a-walkin’ in my shoes,

just trying to shake off these bipolar blues,

aching for the day,

when pain flees,

scurrying away:

where bright days dawn,

where wild flowers grow,

in meadows of peace,

where placid streams flow.

I am fine, I say …

but actually no,

no, i am not fine,

i am just about as fine as a dung-dusted shoe is from a shine.

no, i am not fine,

i am lost,

I am lost between mangled dreams, and howling screams,

discordant, jangling,

being ripped agonisingly apart at the seams,

these blinded eyes drowning in torrential streams,

strangled, neutered, dull,

with just enough time to mull,

that every shard of emotion has been anaesthetised,

that every filament of feeling has been rendered null –

with every sentiment vacuumed into the frigid void,

knowing there can be no gnawing pain,

knowing that every neuron is of all static devoid

hope endures …

in the claws of grinding dismay, hope endures.

in the talons of savage reality, hope endures.

wedged deep the thorns may be, yet hope endures.

bruised bloody the soul may feel, yet hope endures.

beyond these words, hope endures.

past this paltry rhyme, hope endures.

soaring into the boundless sky, hope endures.

running free in fields of flowers, hope endures.

hope endures, as life batters the day,
hope endures, as today shatters the night,

hope endures, as it must, for the journey ahead

hope endures, as it must, for the avenues yet to be tread …

A dream as a new dawn yawns …

When our new dawn yawns,

may we lend our hands to those with whom these myriad paths we tread,

may we be kinder, gentler, of all animosity devoid,

feeling the spirit of uBuntu* embroidering us with a common thread,

may we reaffirm our oneness,
across cultures, faiths, races, and nations,

walking together in peace,

our love binding us for the travails that may lie ahead,

may we embrace the other, without conceit, knowing that we all bleed red,

may we lay down our egos, our barbed words,

our weapons by which far too much blood has been shed,

may we usher in a less cruel world with dignity for all,

may we tend to each others’ wounds, sewing together justice, freedom, equality, may we as one people, stand humble yet tall,

may we always pick each other up, whenever we stumble, whenever we fall.

When our new dawn yawns,

may our hands be clasped together, walking as one – the human race,

may we knit a bond transcending all that has imprisoned us alone, each in a vacuum of desolate space,

so that at long last,
we may see in each other,

a kindred human face

_________

* – uBuntu is a Southern African philosophy that espouses the inter-connectedness of all beings.

meagre rhymes of love …

art by banksy

meagre rhymes of love …

This love that has cocooned us, enveloped us,

in the warmth of its comfort,

is a love so rare,
truly a love beyond compare.

The middling years of our lives,

when this world has us jaded,

our love melts away the despair,

banishing the pain, distant and faded.

The feelings I feel for you can never be scribbled on paper with ink,

the sentiments swim free under the placid stillness of the seas,

my heart beating in rhythm with yours,

in orchestral harmony,
our symphony soaring with inexpressible desire,

as I find myself forever drawn to the blazing heat of your inextinguishable fire.

Through desolate moments that morphed into years, tears streaming down the  deserts of lonesome cheeks,

we had given up on love, accepting that it may never glide on the wings of the breeze,

we felt ourselves sinking, thrashed around as we drowned in the maelstrom of emptiness,

crashing, slipping, weighed down into the  crevasses, as we trod on, mile after barren mile,

at times gutted as we plumbed the depths of our souls, facing the horror of forgetting the ability to smile a simple smile.

It was then that we met, as our years began to pall, the wrinkles pronounced, the grey hair starting to fall,

it was then, when we met, that we began to live a little each day,

no longer merely existing, ensconced in our catatonic state,

it was then, when we met, when the confluence of our lives were tugged together by fate,

it was then, when our footsteps were slowly merging, ever gently forming a shared road,

it was then, so dazzlingly bright, I saw in you my my shelter, my much sought after abode.

The years we have lived, so alone for most of our lives, have exacted their toll,

even as we did not seek to mutter oaths, to sign vows of undying love on a paper scroll,

for no parchent signed and tucked away in an attic somewhere, or framed for all to see can ever be so bold,

as is our unspoken love, where there is no bartering for love, no settling for less, no going through the daily grind,

for the years have sprinkled starstuff on us, the starstuff of deep abiding love, almost impossible to find.

I am now old and grey, my wrinkles deep, my gait bent,

and I treasure every moment with you I have spent.

‘Tis true that you now lie beneath the ground, but still your laughter I hear every day,

your smile, your fragrant hair, your soft body are alive within me,

no advancing years can ever take that away,

and as memories of you are a soothing balm, you live in my thoughts, you are my constant, you can never truly go away

as I remember our gentle tender kiss, on our beach of promise, under the palm that sashayed,

under our palm, that will perennially sway.







art by banksy

The Journey …

uBuntu – The South African philosophy that espouses that all beings are inextricably linked to one another = I am because we are

The Journey …

Travelling along the myriad pathways of this life, side-stepping thorny obstacles, at times clambeing over jagged rocks, our bodies wracked and bruised.

May we pick up the crushed flowers, the dead leaves scattering these alleyways, may we reach and assist the countless souls, lying by the wayside, forgotten, torn, abused.

May we be human, more humane, less oblivious, less cruel, may we appreciate lives that stagger, inert, broken, inching forwards wracked by coughs, held back by pained starts.

May we be kind, more embracing, of the other, may we be less cocooned, less self-absorbed, with true respect,

knowing that all the world, and all living things, are nothing when alone,

for we are of this earth,
a sum of all its infinite parts …

“Let Equality Bloom” by Brooke Fischer

✊🏾

art by banksy

i am human.

you hardly spare me a glance, as you walk past me, a fellow human, whom you pretend not to see.

you send me off to fight your wars, remaining comfortably ensconced in your ivory tower, while in the trenches i shiver and cower.

you dock my pay if one of your fine bone china cups gets chipped, you withhold my wages, while the hunger in my children’s stomachs rages.

your children still call me ‘boy’ or ‘girl’, though it was i who changed their diapers long ago, but it is still i who is the recipient of the epithets that you and they hurl and throw.

you use my body for your carnal desires, throwing some money on my stained bed, you use me as a lifeless rag, then dispose of me in a rubbish bag.

you claim to be so liberal, so open-minded and progressive, yet you ignore my plight, you discuss poverty in your chandeliered rooms, as i prepare some beans in the dim candlelight.

you send your cheques to greenpeace and amnesty, perhaps to assuage your guilt somehow, as you refuse to pay me my overtime due, your body weighed down by heaving jewellery, in red and white and blue.

you see me building your glittering skyscrapers and your glitzy malls, my hard hat pummelled by stone and dust, as i eke out a living, my dreams turned to rust.

you walk and you talk, leaving me to scrounge in the garbage heaps, for scraps of this and that, while your stocks and portfolios grow ever more fat.

i am invisible to you, to your posh and pompous kind, and i doubt your humanity will be ever anywhere to find.

you see me, a festering sore on your manicured lawns, a piece of dirt living on ‘charitable’ rations, and the first to bear the brunt of your police batons.

i am human, though only barely just, easily interred, once my purpose has been served,

i am human, though only barely just, as i get buried in a heap of dust.

am i human?

art by banksy
With President Nelson Mandela & my father

With the National Poet Laureate of South Africa Comrade Mongane Wally Serote

An absolute honour and truly humbling that the National Poet Laureate of South Africa Comrade Mongane Wally Serote chose to write the Foreword to my book.

The following is the Foreword by the National Poet Laureate of. South Africa …

Foreword by Professor Mongane Wally Serote.

National Poet Laureate of South Africa.

Afzal Moolla-The Poet.

Afzal Moolla is a South African poet. He is a prolific poet. He grew up in a family, which, for the longest of time, was part and parcel of the liberation struggle in South Africa. That is to say, he grew up in a family of freedom fighters. 

You can imagine what he had to listen to at an early age. He absorbed it all.  His folks are elderly now. 

“…These were the early 1970s, and this story was told to me by my parents, who themselves were recently arrived political exiles in India, having to leave South Africa, where my father, Moosa “Mosie” Moolla was arrested along with Nelson Mandela and 156 others in the infamous Treason Trial of 1956…”

 He is young, living in a country which emerged from the depth of one of the most cruel political systems ever imagined by human beings. Nothing will allow Afzal to forget that, even as he may have been a toddler when that system was at its most vicious. 

And now at his adult life, some among us, seek to destroy a dream of the people. We must scrutinize what this poet says about those who do that: who are they if face to face with OR, Madiba, Che, Fidel… that they can ony be traitors.

As we read what Afzal says, we will also be engulfed by a progressive and humane attitude of human life. Afzal is of Indian origin, a South African, whose young mind was shaped by a people who had to strife with everything possible to be human.

The combination of poetry and prose in Afzal’s rendition, walks one in very rough terraine, not sparing one. He calls all this, his work:

STRUGGLE   EXILE    LOVE 

“…As we walked through the tombstones of the war soldiers from all parts of the world, my father explained how apartheid was a scourge like Fascism and Nazism. He explained how the world had joined forces to fight Mussolini and Hitler, and why we too had to fight against apartheid….”

Even when the worst of things are explored in this work, the optimism of the spirit from the poet, is still the basis to seek hope; to search for a way out of pessimism. A rare skill indeed.  He can express anger, or despair, even cynicism, as also he seeks an anchor in the strength which resides in the hearts of human beings. And therefore Afzal, refuses to let go of the humaneness of human beings. 

He then braves the challenge by referencing the reality of the beings of struggle as the names of the freedom fighters spread throughout the pages which carry the weight of his writing.

There is too much pain in Afzals work, but equally there is love, there is joy and as said there is hope. Afzal is a skilled artisan of things made of words that is, of things which become the writing on the wall: a history, a culture tempered in the freedom struggle.


“Searching. 

Searching,

in the debris of the past,

scraps of casually discarded emotion.

Searching,

in hastily trashed yesterdays,

an inkling of moments flung away.

Searching,

in heaps of rubbished words,

that tiresome sigh of defeated thought.

Searching,

in the layers of moulted skin

the wilting self that once was true.

Searching,

in the reflections between the ripples,

for the whispered pangs of roaring desire.

Searching,

in the blank eyes streaming endlessly,

an echo of the faintest sigh of new life.

Searching.”

There is no letting go here. Life is pursued relentlessly, with the knowledge that life itself is a struggle for life and living; but also, knowing from having lived in struggle and among freedom fighters that there is no alternative to freedom. That want and that knowledge is insatiable; it is only satisfied by the reality of the manifestation of the spirit, meaning, everything which is liveable and defining being free.

(About Timol-a name we know because its reality teaches about the extremes of human cruelty, but also about utter commitment to that unbreakable particle of the human spirit which forever defines, and forever seeks freedom. )

“today their lies have been consigned to the dirt.

They tried to murder an ideal,

the revolutionary spirit that burned bright in your heart,

they tried to silence you, not knowing your memory shall never depart.

They tried to kill you,

but they will never silence you,

for you live,

through the expanse of our land,

mingling in the rivers,

standing high upon our shared revolutionary hill,

they tried to silence you,

yet the hunger for justice will never be still,

they tried to silence you, but the memory of your martyrdom never will.”

—————————————————–

March 21, 1960 – Sharpeville

They shot you in the back.

The oppressors lead tearing into muscled flesh. The flesh of Africa.

They massacred you in Sharpeville, in Soweto.

Today we remember you.

We salute you…”

There is an isiZulu saying which rings of finality in its utterance, expression and thirst for freedom: si dela nina e ni lele (we envy you who have fallen). It is a battle cry. It is an expression of love and hope. It is a yearning which is insatiable which knows and aligns with the purpose of life that living life is a definition of Freedom. When Afzal names the freedom fighters, and as a series ofthese names emerge and spread throughout his poetry, it conjures that feeling and that understanding.

That is what defines “Dr Martin Luther King Jr. (1929 – 1968)

You had a dream, of pastures of peace,

where children of all hues mingle like rainbows.

They silenced you, yet your dream

resounds louder still,

in pastures not yet of peace,

where children of all hues mingle like rainbows.”

———————————————

” The Wind Carries his Name

They shot him down,

to silence a man of flesh and bone.

Even as the bullets tore through him,

the wind carried his name.

Far across the weary fields,

high above the stubborn peaks,

over the blood-soaked streams,

the wind carried his name.

They shot him down,

to silence a man of flesh and bone.

Yet the wind carries his name,

to you and to me,

to them and to us.

They shot him down,

but his name resounds,

as it floats on the breeze.

And,

still they try to shoot him down,

to silence us all,

to stifle an ideal.

But the wind cannot be stilled,

and the wind carries his name:

“Che” “

Afzal is here, with that ‘…they…”  referring to the international oligarchy, that “ …small group of people,,,”, who with mighty force control everything at all cost, against billions of people, indeed against humanity, who now, as Afzal warns us are pushing all of humanity to the precipice of a final and last war, if there are no thousands upon thousands of “Che(s)” who must emerge to stop them.

The world, humanity is once more, as the saying goes, that “…history repeats itself…”  faced by a great possibility of an international arms race. The oligarchy’s objective: to amass all the resources of the earth for the “…small group of people…” They are relentless.

Afzal’s work of poetry traverses human feelings fearlessly.  He is the child of Freedom. He is the adult nurtured by a series of names of people who carried the blood that has been spilled, whether in the street, or in the veld, or in the houses, on the bed or finally ill of health and having to bid a frail life farewell-nevertheless, life which sought to express the will of millions who have been trampled upon by the international oligarchy, “…a small group of people…” who will stop at nothing to burn the world and is content, turning it into ashes.

Afzal keeps “…Searching…” because he was brought up and grew up in the struggle for freedom. He searches, seeking to find  that particle, which no one can break because it resides in spirit-it knows peace, it knows being secure,  it knows the meaning of freedom. It is profound in it being simple. 

To OR: Afzal says:

“And then finally off to a new dwelling in a faraway alien land,

reeking and drenched in a foreignness so blatantly bland,

never fitting in, though always dreading being shut out,

singing paeans to hope scribbled in the sand.

You left your country, your home, your very own place of being,

you fled, into exile, far away from blinded eyes so unseeing,

and you held to a principle within, and you stood resolute,

till the shadows felt themselves in shame fleeing,

We salute you! And all like you, and the so many countless more,

into whose flesh the tyrant’s sword so cruelly tore,

We salute you!

You who fought at home and you who left to fight,”

To his mother, who is an experience and  voice of many women in South Africa, on Our Continent, and of the world; Victims of the powerful “…small group of people…” in the world, who tear it apart.

” For our Mother, Zubeida Moolla (1934 – 2008)

She left us,

with the thoughts of her embrace to warm us,

in frigid mornings of tomorrows yet to come.

She left us,

with words of tender truths to shroud us,

in the coming evenings of slicing sleet.

She left us,

yet she stays within us,

in our waking dreams, our restful thoughts.

She stays within us,

and of us she shall remain an abiding part,

of the love,

the pain,

the tears,

and for that, we shall never be truly apart.”

And of course Afzal the poet now:

———————————

As Evening Settles

As evening settles

may tender angels

ease the knots of tiresome day

and

may warmth embrace you

caressing your aches away

so, sleep softly

and

let the morrow bring

what the morrow may.

———————————————-

Overcast Skies

Overcast skies

when days seem bleak

and our shared sky is overcast

may you always be wrapped in warmth

enveloped in tender colours

for however dark the nights and days may seem

there is always hope

beyond the pain and the sorrow and the lies

there is always hope

there will always be a tomorrow

when a new dawn

a fresh sun

must

like us

rise.

Sometimes in my life,

I’ve trudged down cobblestone pathways,

walked on broken glass,

shed tears, had my share of dreams broken,

have had my quota of fears,

now the years have slipped away,

and a decade ago seems like yesterday,

but the moment I saw you,

something, something,

made me pause,

it was you. 

It is you,

and maybe, it will always be,

only you.

———————————————

For Wendy Cope

I may not have brought you flowers.

I know I was always late.

You tolerated my moodiness,

and my ever-increasing weight.

You said men were like buses,

and you had grown weary of waiting,

Of putting up with my quirks and my fusses,

though we barely knew we were dating.

Ah, but we weathered the squalls;

Your patience has always been saintly.

And now that old age palls,

our tiffs are recalled only faintly.

We laugh at youth’s follies and know,

the beauty we had sought unaware;

It’s as wide as a calm river’s flow,

and as timeless as our years of care.

——————————————

A Wish for You

May your smile never fade,

may you always be as you are now,

warm and kind,

true and filled with the generosity of spirit that defines you,

may your dreams soar into the boundless open skies,

and may the benevolent fingertips of time and of fate,

brush away any tears that should fall from your gentlest eyes.

May you forever stand tall,

may your head always be held high,

with stoic dignity.

May your past experiences be the stepping-stones that mark your path ahead,

may your heart be your guide,

your blazing beacon of wildly enthusiastic hope,

may your wishes be simple,

and may they come to be,

filling your life and your moments,

with joyous bliss,

where you truly feel free.

Free of the weight of yesterday,

free of gnawing doubt,

and may your being be infused,

with the softest serendipity,

so that you may spread your arms,

and to the heavens shout,

I am free,

I am me,

at long last,

I am standing tall,

never again to bow,

or to fall on bended knee.

This is a wish both simple yet elusive,

a wish that only you can make true,

by simply being,

the kind,

warm,

gentle person,

that is you.

———————————-

In Your Eyes

As another day recedes,

enveloped under the shawl of night,

allow me to drown,

in your eyes.

Moments fleeting,

fickle hands of time unseeing,

allow me to seek solace,

in your eyes.

The trodden path littered with each shard,

regrets this heart wishes to discard,

so, allow me to seek refuge,

in your eyes.

I have walked through twisting boulevards of life,

seeking simple joy, away from desolation, strife,

so, allow me to find peace,

in your eyes.

In your eyes,

I find,

the gentleness left behind,

away from superficial smiles,

away from fatigue of the walked mile.

In your eyes,

I feel,

at home at long last,

your love caressing away the restlessness of the past,

stepping out of the shadows to embrace pure contentment,

though a bit player,

in your life’s theatrical cast.

In your eyes,

I touch,

the flame of promise radiating through your loving light,

that is why,

I no longer dread,

the vacuum of encroaching night.

—————————————–

What all of these words say, which Afzal has crafted, which we dare not forget, is that we as South Africans, as Africans come from a poetic place, as do all of humanity who come from a “…Paean…” a ululation and praise of the relentless freedom fighters.

Professor Mongane Wally Serote.
National Poet Laureate of South Africa

With Comrade Winnie Mandela

Signing a few copies of my book “Struggle, Exile, & Verse”

My dear friends and fellow-travellers here on WordPress,

I hope that all dear ones here are well and keeping safe healthy during these harsh times.

I have been well, but have been so busy with work and more work and with house and home things so I’ve been away from this wonderful space for far too long.

I hope to be here more often as I miss all friends and your wonderful pieces.

Do stay well, and my love and warmest wishes to you and to all those loved by you and hoping and wishing and praying that this ghastly pandemic that has wreaked so much pain and grief and untold sorrow to so many may be soon less virulent and deadly as it has over the past year and a bit.

Hugs and love to all from Johannesburg in springtime South Africa 🤗🙏🏽✌🏾👍🏾❤️🌻

I may be off and on here given the pressures of work and home but my love and thoughts and deeply felt warmth of spirit is always here with my dearest friends and brothers and sisters in our wonderfully close-knit WordPress family

🤗💙🙏🏽❤️🌻👍🏾✌🏾✊🏾😊